Patricia Piccinini Australian, b. 1965-

Selected Bibliography

2018 
Otto Letze, Nicole Fritz, Almost Alive / Kunsthalle Tubingen, Hirmer Verlag, 2018, pp. 122-123 
Nathan Scolaro, Dumbo Feather / PP makes Tender Art, Berry Liberman, 2018, pp. 86-95 
Sally Claxton, The Art of Feminism, Elephant Book Company Ltd, 2018 
Liz Rideal, Kathleen Soriano, Madam & Eve, Women Portraying Women, Laurence King Publishing, 2018, p 107 
Samantha Comte, All the better to see you with, Fairy tales transformed, Ian Potter Museum of Art, 2018, pp.15, 82-85 
Peter McKay, Patricia Piccinini, Curious Affection, Queensland Art Gallery Gallery of Modern Art, 2018 
Anonda Bell, Mirror Mirror, Paul Robeson Galleries, Rutgers Uni, 2018, pp. 28, 104-105 
Elizabeth Finkel, Cosmos, Cosmos Media, Melbourne, Issue 77, 2018, pp. 52-61

2017 
Michael Klant / Joseph Walch, GK Kunst 2- Plastick, Skulptur, Objekt, Schroedel Westermann, 2017, p. 58 
Anna Davis, New Romance. Art and the Posthuman, Museum of Contemporary Art, Sydney, 2017, pp.8-9, 16,33,54, 140-147 
Abdulmecid Kosku / Omer Koc, Pulsanti aperietur, MAS Matbaacilik San ve Tic A.S., 2017, pp.20-21 50-51 64-67 71-71 
Matthias Arndt / Rachael Vance, MAD, Arndt Art Agency, 2017, pp. 38-41 
Kon Gouriotis, Artist Profile, Nextmedia, 2017, pp. 56-65 
Kathryn Wat, Revival, National Museum of Women in the Arts, 2017, pp. 78-81 
Honor Hager, The Universe and Art, Artscience museum, Singapore, 2017, p. 90 
Marysa van den Berg, KIJK / Dier Maakt Mens, KIJK Magazine, Netherlands, July, 2017, pp. 34-35 
Charles Green, Art Forum International, May 2017, Artforum International Magazine, 2017, p.356 
Richard Perram, Beyond Belief The sublime in contemporary art, Bathurst Regional Art Gallery, 2017, pp. 30-33 
Silja Leifsdottir, What Remains, Fotogalleriet, Oslo, 2017, p. 79 
Otto Letze, GYS! Er den levende?, Arken Museum for Moderne Kunst, 2017, p.90-91 
Bowden, Hannan, D'Aglas, Lindley, D'Angelo, Art-isan, Studio Arts for VCE, Cambridge University Press, 2017, p. 144, 208 
Adam Geczy, The Artificial Body in Fashion and Art, Bloomsbury Publishing, 2017, p. 70,79,84-87

2016 
Michael Do, Soft Core, Ligare Book Printers, 2016, pp. 66-71 
Barbara Creed , Stray: Human/Animal Ethics in the Anthropocene , Power Publications , 2016 
David Walsh, On the Origin of Art, Museum of Old & New Art, 2016, p. 453-461 
Nanjo Fumio, The Universe and Art, Mori Art Museum, Tokyo, 2016, p. 126 
Natasha Bullock, MCA Collections, Museum of Contemporary Art, Sydney, p. 292-293 
Malene Breusch Hansen, Researchers Wildest Tools, Bonnier Publications Int, 2016, p. 93 
Thomas Macho, Das Schwein, Agora 42, Aug-2016, pp. 43-48 
Jane O'Sullivan, Beyond the Border, Australian Financial Review, March, 2016, pp. 54-59 
Joan Fontcuberta, The Post-Photographic Condition, Kerber Photo Art, 2016, pp. 122-127

2015 
Jeon Hyesook, Post Human, SACK, Seol, Korea, 2015 
Kim Jeongbae, New Romance, MMCA, Korea, 2015, pp. 140-155 
Marcello Dantas, Comciencia, Centro Cultural Banco, Brasil, 2015 
William Myers, BioArt: Altered Realities, Thames & Hudson, 2015, pp. 52-57

2014 
Jessica Housand-Weaver, Carbon Culture, Media Solutions USA, Issue 1, Fall 2014, Cover front & back, pp. 51-56 
Jaqueline Millner, ARTAND Australia, Art & Australia, Issue 52.1 - 2014, Cover, pp. 4, 128, 136-143 
Ron Radford, Collection Highlights, National Gallery of Australia, 2014, p. 196 
Andrea Virginas, Acta Universitatis Sapientiae, Sapientia Hungarian Uni of Transylvania Scientific Publishing House, Vol 8, 2014, pp. 149-166 
Lisbeth Brunnich, Science Illustrated, Denmark, Bonnier Publications, Issue 17, 2014, p. 22 
Penelope Grist, Portrait, National Portrait Gallery, Spring/Summer, 2014, pp. 8, 17 
Elizabeth Ann Macgregor OBE, Glenn Barkley, Remain in Light (exhibition catalogue), Museum of Contemporary Art, Sydney, 2014, pp. 50-51 
Laura Baigorri Ballarín, Sense and Responsibility: A Bioethical Perspective on Experimental Creation, Hipatia Press, Vol 2, Number 2, 2014, pp.152,153, 161 
Julie R. Sasse, Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia P., University of Arizona Press, 2014

2013 
Mr. Terukazu Suenaga, Ms. Yoko Hayashi, Mr. Motoaki Hori, The Art of the 20th Century and Beyond, Bijutsu Shuppan-sha, Tokyo, July 20th, 2013, p. 204 
Diana Warnes, Under My Skin (Exhibition Catalogue), Rockhampton Art Gallery, 2013, p. 49 
Caitlyn Burford, Manor House Quarterly, Manor House Quarterly, USA, Issue 07 , 2013, pp. 8, 46-57 
Zoe Forget, Hey (Modern art & pop culture), Ankame Editions, #15, 2013, pp. 66-75 
Lucy Marczyk, (INSIDE) interior design review, Niche Media Pty Ltd, Sept / Oct 2013, p. 20 
Gong Yan, Art World 278 (Safari, the Zoetrope of Monsters), Shangai Central Publishing, 2013 
Deborah Robinson, The Nature of the Beast (Exhibition Catalogue), The New Art Gallery Walsall, 2012 
Jason Smith / Linda Michael, Louise Bourgeois in Australia (Exhibition Catalogue), Heide Museum of Modern Art, 2013, p. 118-121

2012 
Antoine de Galbert, Memories of the Future, Collection of Thomas Olbricht (MR8), Fage Edition et La maison rouge, 2012, pp. 84, 210-211 
Kelly Gellatly, 101 Contemporary Australian Artists, National Gallery of Victoria, 2012, p. 170-171 
Marc Wellmann, BIOS Concepts of Life in Contemporary Sculpture, George Kolbe Museum, 2012, Cover, pp. 82-85 
Bild I Skolan, En Ingang I Samtidskonsten, Swedish Teachers Union, Jan, 2012, p. 26-27 
Scala, Mark W., Fairy Tales, Monsters and the Genetic Imagination (Exhibition Catalogue), Vanderbuilt University Press, Sept, 2012 
Ewen McDonald, MCA Collection. Volume One, Museum of Contemporary Art, Sydney, March, 2012 
RMIT Gallery, Imagining the Future (exhibition catalogue), RMIT Gallery, Melbourne, Jan, 2012, p. 50-51 
Harrington, Zoe, Sculpture and the Enemies, Sculp & Enemies.com.au, Jan-March, 2012, p. 14-23 
JD Talasek, Rick Welch, Kevin Finneran, Visual Culture and Evolution, an Online Symposium, University of Maryland, USA, 2012, p. 188-189 
McDonald, Helen, Nearly Beloved, Patricia Piccinini, Piper Press, 2011 
Tony Ellwood, Ten Years of Contemporary Art. The James C Sourris AM Collection, Queensland Art Gallery, 2011, p. 138

2011 
Singapore Art Museum, Video, an Art, a History 1965 - 2010, Singapore Art Museum, 2011, p. 88, 91, 93 
Jane Messenger, Once Upon A Time (Exhibition Catalogue), Art Gallery of South Australia, 2011 
Katrina Strickland, Neither Fish nor Fowl, Weekend Australian Fin Review, 2011, p. 37 
Millner, Jacqueline, Conceptual Beauty, Artspace, Sydney, 2009, pp. 16-22, 106 
Robertson, Jean and McDaniel, Craig, Themes of Contemporary Art: Visual Art after 1980, Oxford University Press, 2010, pp. 264-266

2010 
Kwang-Suk, Lee, The Art and Cultural Politics of Cyber Avant-gardes, Thomson Publications, 2010, pp. 379-385 
Engberg, Juliana, Relativity (exhibition catalogue), Art Gallery of Western Australia, 2010 
Stadeus, Geert, and Snoeck, Patrick, Patricia Piccinini, Snoecks 2010, 2010, pp. 210-223 
Bodeker, Katja and Hammer, Carmen, Wunderforschung, Nicolai, 2010, pp. 52-53 
The Revival of Empty Spaces, Patricia Piccinini, Monthly Art Magazine, Apr-2010, pp. 72-77 
Reilly, Maura, Curating Transnational Feminisms, Feminist Studies Magazine, Spring 2010, p.161 
Hong, Kyoung-Han, Art in Post, Public Art, Mar-2010, pp. 142-143 
Hong, Kyoung-Han, Patricia Piccinini (interview), Public Art, Apr-2010, p. 177 
Chrudzimska-Uhera, Katarzyna, Niepewna przysztosc Rzezby: Patricia Piccinini, Lamus, Jul-1909, pp. 62-67 
Clark, John, Biennials and the Circulation of Contemporary Asian Art, Yishu: Journal of Contemporary Chinese Art, 2009, p.38 
Mori Art Museum, Medicine and Art: Imagining a future for Life and Love, Mori Art Museum, Tokyo, 2009, pp. 228-229 
Grehan, Helena, Performance, Ethics and Spectatorship in a Global Age, Palgrave Macmillan, 2009, pp. 8, 140, 142-3, 162-7, 187, 189

2009 
Ardenne, Paul, Art le Present: La creation plasicienne au tournant du XXI siecle, Editions du Regard, 2009, pp. 156, 184 
Allemand, Lauranne, Denaro, Dolores, and team, Genipulation, Kunsthaus Centre d'art, 2009, pp. 116-119 
Roos, Robert, Wonderland: Through the Looking Glass, Kunsthall Kade Amersfoort, Netherlands, 2009, pp. 80-83 
Green, Erica, Colliding Worlds, Samstag Museum, University of Adelaide, 2009, pp. 1-3 
Egan, Fiona, Born to be Wild: the Motorcycle in Australia, Penrith Regional Gallery, 2009, pp. 4, 28 
Hackett, Edward, Reflections for Looking Forward, Sciencemag.com, Jan-2009, pp. 340-345 
Korper Kurz nach der Geburt, Kunst und Unterricht, Kallmeyer, Jul-1909, p. 49 
Warne-Smith, Drew, Up Next: Patricia Piccinini, The Weekend Australia Magazine, March 14-15, 2009, p. 7 
Martain, Tim, Otherworldly Designs, The Mercury Magazine, March 21, 2009, p.2-3 
Strickland, Katrina, Tasmania's Modern Take, The Weekend Australian Financial Review, April 9-13, 2009, p. 56 
Levine, Stacey, Looking Together: Writers on Art, University of Washington Press, 2009, p. 36, 45 
Neylan, John, Motherhood Statement, The Adelaide Review, Mar-2010, pp.30-31 
Smallenburg, Sandra, Beeldende Kunst, NRC Handelsblad, May 1, 2009, p.8 
The Phantasm of International Biennales, Monthly Art Magazine, Dec-2009, p. 116 
Palmer, Maudie, Encounters with Australian Modern Art, Macmillan Art Publishing, 2009, pp. 246-247 
Art and Australia, Current: Contemporary Art from Australia and New Zealand, Dott Publishing, 2009, pp. 256-259 
Haraway, Donna , When Species Meet, University of Minnesota Press, 2008, pp. 287-292, 387

2008 
Heartney, Eleanor, Art and Today, Phaidon Press, 2008, pp. 188-189 
Hulsbosch, Marianne, Cambridge Visual Arts: Stage 4, Cambridge University Press, 2008, pp. 148-149 
Slade, Lisa, The Thrall of the Skull, Neo Goth: Black is Back, 2008, pp. 24-26 
Koop, Stuart, Beep Crackle: Contemporary art from the middle of nowhere, Institute of Modern Art, Sydney, 2008, pp. 126-135 
Takamado, Her Highness, the Princess, Transcripts of Lectures, Osaka University of Arts, 2008, pp. 111-112 
Kudo, Kiki, Post No Future, Kawade Shobo Shinsha Publishers, Japan, 2008, pp. 127-129 
Braun, Bart, Nieuwe Dieren, Uitgeverji Veen Magazines, 2008, pp. 120-122 
Zeitz, Lisa, Moped als Madonna: Das geheime Leben der Vespa, Kunstmarkt, February 23, 2008, p. 44 
Foster Gage, Mark, Etiologies of Beauty: Architecture and the New Physics of Appearances, Perspecta 40: Monster, 2008, p. 93 
Johnson, Ken, Some Shows for Escape, Some for Introspection, The New York Times, July 4, 2008, p. 30 
Beare, Michael & Welfare, Phillippa, Just Imagine, Wollongong City Gallery, 2008, pp. 12-13 
Cruz, Marcos, Designer Surgeons, Architectural Design, Nov-2008, p. 48 
Saehrendt, Christian & Kittl, Steen, Sprachfuhrer Deutsch - Kunst, Kunst - Deutsch, Dumont Buchverlag, Koln, 2008, pp. 149-150 
Suzanne Anker and JD Talasek, Visual Culture and Bioscience, University of Maryland, USA, 2008, p. 198 
Queensland Art Gallery, Contemporary Australia: Optimism, Queensland Art Gallery, 2008, pp. 182-185 
Fernandez Orgaz, Laura, (Tiernas) Criaturas, Artium, 2007 
Haraway, Donna , Speculative Fabulations for Technoculture's Generations: Taking Care of Unexpected Country, (Tiernas) Criatures, 2007 
Alderton, Steven, Patricia Piccinini: Double Love Knot (exhibition catalogue), Lismore Regional Gallery, 2007

2007 
Hickson, Patricia, Hug or Run?, Hug: Recent Work By Patricia Piccinini, 2007 
Rosenberg, Randy, Art in Action: Nature, Creativity and Our Collective Future, The Natural World Museum, 2007 
Heartney, Eleanor, Worldwide Women, Art in America, June/July 2007, pp. 155-165 
Blas, Susana, Patricia Piccinini: Documentary about the exhibition (Tiernas) Criatures at Artium , Metropolis, Spain, Oct-2007 
Armstrong, Carol, Carol Armstrong on Global Feminisms and WACK!, Artforum International, 0101/00/0707, pp. 360-362 
Were, Virginia, A Matter of Transformation, ArTnews New Zealand, Summer 2007, p. 60-62 
Israel, Glenis, Essential Art, Jacaranda, 2007, pp. 202-206 
Wallis, Geoffrey, Eye to i: The Self in Recent Art, Ballarat Fine Art Gallery, 2007, p.90 
Smith, Royce W., Hug: Recent Work by Patricia Piccinini, Review, 0101/00/0707, pp. 42-45 
Astrapellou, Marilena, Dear Scooter: Patricia Piccinini's Auto Art, Intersection, Spring 2007, p. 26 
de Rooij, Marie Jeanne, Down Under: The Hague Sculpture 07 (exhibition catalogue), Veenman Publishers, 2007, pp. 76-80 
Artundo, N, Science in Person, El Correo Espanol El Pueblo Vasco, October 4th, 2007, Cover, p. 77 
Crespo, Txema G., Piccinini Bordering the Limits of Nature, El Pais, October 4th, 2007, p. 37 
Lloyd, Tim, The Canvas Economy, The Advertiser Review, Sept.1, 2007, p. 1, 6,7 
Macgregor, Elizabeth Ann, MCA Collection: New Acquisitions (exhibition catalogue), Museum of Contemporary Art, Sydney, 2007, p. 20 
Ostbye, Guri Lorentzen, Barn + Kunst = Danning, Gorilo Forlag, Oslo, Norway, 2007, pp. 148-149 
Toffoletti, Kim, Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, I.B. Tauris and Co. Ltd, 2007, pp. 133-159 
Fujinami, Rieko, Nesting in an Ambiguous World, Dart International, Fall 2007, p. 36 
Coslovich, Gabriella, NGV Masters private exhibition deal, Metro News and Reviews, 2007, p. 16 
Bugden, Emma (ed), Patricia Piccinini: In Another Life (exhibition catalogue), City Gallery Wellington, 2006 
Brennan, Stella, Border Patrol, In Another Life, 2006, pp. 6-9 
Winship, Ingrid, Genetics in a Genome Era, In Another Life, 2006, pp. 14-15

2006 
Weyns, Sara, Long Live Sculpture, Middelheim Museum, Antwerp, 2006, p. 13, pp.52-55 
Setsuko, Nakamura, Prism: Contemporary Australian Art, Bridgestone Museum of Art, Ishibashi Foundation, 2006, pp 71-77 
Doll, Nancy, Uneasy Nature, Weatherspoon Art Museum, 2006, pp. 42-47 
Kardasz, Magda and Rees, Simon, High Tide: New Currents in art from Australia and New Zealand, Zacheta National Gallery of Art, Warsaw, 2006, pp. 79-80, 216 
Larson, Kay, Beautiful Mutants, Art News, Feb-2006, pp. 106-109 
Boucher, Brian, Patricia Piccinini at Robert Miller, Art in America, Feb-2006, p. 128 
McRae, Vanessa, Supercharged: The Car in Contemporary Culture, Institute of Modern Art, Brisbane 
Green, Charles, 2006: Contemporary Commonwealth, National Gallery of Victoria, Melbourne, Jun-1909, pp.98-101 
Geczy, Adam and Genocchio, Benjamin, What is Installation? An Anthology of Writings on Australian Installation Art, Power Publications, Sydney, Jun-1909, pp. 301-305 
Crombie, Isobel, Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund, National Gallery of Victoria, Melbourne, Jun-1909, pp. 14, 110, plate 10 
Reena, Jana, Review of Patricia Piccinini: Nature's Little Helpers at Robert Miller Gallery, tema celeste contemporary art, no. 113, p. 85 
York, Hong Cing-fong Hsiao, Artist of the Year / Asia Live, Art Taipei, 2006, 2006, Cover, first 10 pages. 
Slade, Lisa, Strange Cargo (exhibition catalogue), Newcastle Region Art Gallery, 2006, p. 6, 8, 13, 52,53 
Davies, Suzanne, The Idea of the Animal (exhibition catalogue), RMIT Gallery, 2006 
Tucker, Anne, Endangered Species: Patricia Piccinini and the Human Condition, Juxtapoz, February, pp. 72-77 
Riley, Jan, Patricia Piccinini, Sculpture Magazine, Vol 25, No 7, September 2006, p. 75 
Smith, Jason, Epic (exhibition catalogue), Lismore Regional Gallery, 2006, cover, p.5 
Perram, Richard, Home Goal (Exhibition catalogue), Bathurst Regional Art Gallery, 2006 
Lippert-Rasmussen, Kasper & Balling, Gert, Det Menneskelige Eksperiment, Museum Tusculanums Forlag, 2006, p. 233 
Miller, Christopher, Patricia Piccinini: Nature's Little Helpers, Robert Miller Gallery, 2005 
Kent, Rachel, Nature is as Nature Does: Patricia Piccinini's Super-Natural Creations, Nature's Little Helpers, 2005 
Havilah, Lisa, C'town Bling, Campbelltown Arts Centre, 2005

2005 
Mitzevich, Nick, Newcastle Region Art Gallery: Highlights from the Collection, Newcastle Region Art Gallery, 2005, p. 63 
Delany, Max, Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, Melbourne, 2005, pp. 50-51 
Wilson, Beth, Brand X Art, Chronogram, May-2005 
Glueck, Grace, The line between species shifts and a show explores and move, The New York Times, Aug-2026 
Genocchio, Benjamin, Images of Reality, In Three Dimensions, The New York Times, Jun-2026 
Glover, Michael, Masters of the dark arts, The Times, Oct-2029 
Smee, Sebastian, Nature's Little Helpers make tasty omelette, The Australian 
Tofts, Darren, Interzone: Media Arts in Australia, Craftsman House, 2005, pp. 98-101 
Welschen, Fred, Living Apart Together (exhibition catalogue), Odapark Venray, 2005 
Nowotny, Helga, Unersattliche Neugier: Innovation in einer fragilen Zukunft, Die Deutsche Bibbliothek, 2005, Cover 
Savie, Chris, Untitled article, Adbusters, 2005 
Rees, Simon, Adelaide Biennial of Australian Art exhibition catalogue, AGSA, 2004 
Patricia Piccinini: We are Family, BT, Vol. 56, no. 845, pp 15-17 
Bec, Luis, The Demonstrous, Monsters, Ghosts and Aliens: The politics of representation in the digital era, F. Javier Pascual, Madrid, 2004, p 60

2004 
Bourke, Gregory, Bloom: Mutation,Toxicity and the Sublime (exhibition catalogue), Govett Brewster Art Gallery, 2004 
Crisp, Lyndall, Freaks of Nature, Financial Review Weekend, 29-30 May 2004, p. 35 
Israel, Glenis, Senior Artwise 2: Visual Arts 11-12, Jacaranda, 2004, pp. 193-201 
Eisenmann-Klein, Marita, Reconstruction and updating in plastic surgery in 'UmBauhaus: Updating Modernism', Jovis Verlag, Berlin, 2004, p. 56 
Glass, Alexie & Tutton, Sarah, I thought I knew but I was wrong: New video art from Australia (exhibition catalogue), Asialink / ACMI, Melbourne, 2004 
Gibson, Ross, Written with Darkness (exhibition catalogue), University of Technology, Sydney 
Lovelace, Carey, Flesh & Feminism, Ms., Spring 2004, pp. 65-69 
Palmer, Daniel, Medium Without a Memory: Australian Video Art in 'I thought I knew but I was wrong', Asialink / ACMI, Melbourne, 2004 
Piccinini, Patricia, We are Family Lecture, Hara Museum Review, No 64, Spring 2004, pp. 6-7 
Plant, Simon, Art Breaking, Herald Sun Weekend, 08-May-2004, pp.6-7 
Rhodes, Kate, Patricia Piccinini's Desert Rider (Mountain), Art Bulletin of Victoria, Australia, No 44, 2004, pp. 90-91 
Villaca, Nizia, The Multiplication of Bodies in Artistic Communication in 'Metacorpos' (exhibition catalogue), Paco das Artes,Brasil, 2004, pp 56-7, 64-5, 100, 142 
Anderson, Karen, Monstrorum Historia: Biotech and Teriomorphism, Cluster, No. 4, 2004, pp. 144-151 
Vielhaber, Christiane, Junge Kunst ruckt nach vorn, Das Kunst Magazin, Vol. 11, 2004, p. 209 
Wertheim, Margaret & Christine, Teratology in 'Patricia Piccinini: We Are Family' (Linda Michael, Ed), Australia Council, 2003 
Smith, Jason, Patricia Piccinini: Sandman (exhibition catalogue), National Gallery of Victoria, Melbourne, 2003 
Antony, Rachael, We Are Family: Art by Patricia Piccinini, The Big Issue, no. 179, 9-24 June 2003, p. 11

2003 
Block, Andrew, Arts: Bizarre Beasts, Qantas, no. 115, January 2003, p. 61 
Boyd, Chris, Visions of a Strange New World, The Weekend Australian Financial Review 
Clifford, Andrew, Attack of the Clones, The Sunday Star Times, New Zealand, December 28 2003, p. 22 
Crawford, Ashley, Patricia Piccinini in 'see here now, Vizard Foundation Art Collection of the 1990s' (exhibition catalogue), The Ian Potter Museum of Art, Melbourne, 2003, pp. 108-109 
Eccles, Jeremy, For the Love of Her Art, The Canberra Times, 24-May-2003, pp. 6-7 
Fortescue, Elisabeth, Meeting a boy who isn't there, The Daily Telegraph, 17-Aug-2003, p. 34 
Foster, Alasdair, Interview: Patricia Piccinini, Photofile, no. 68, April 2003, pp. 18-23 
Glass, Alexie, Patricia Piccinini, res, March-April 2003, p. 43 
Kinsman, Chloe, Patricia Piccinini (interview), tema celeste contemporary art, no. 98, pp. 58-61 
Patricia Piccinini in 'Havana Biennale 2003' (exhibition catalogue) , Centre for Contemporary Art, Havana, 2003, pp. 180, 340-341 
Lynn, Victoria, Patricia Piccinini in 'Face Up: Contemporary Art from Australia' (exhibition catalogue), Kantz, Berlin, Germany, 2003 
McDonald Crowley, Amanda, Creative Encounters: The Art/Science of Collaboration, Sarai Reader, Feb-2003, pp. 227-235 
Michael, Linda, Patricia Piccinini: Still life with Stem Cells in 'Monash University Collection: Three Decades of Collecting', Monash University Museum of Art, Melbourne, 2003, p. 113 
Michael, Linda, Love Me Love My Lump: Patricia Piccinini Photographs (exhibition catalogue), Monash University Museum of Art, Melbourne, 2003 
Smith, Bernard, Patricia Piccinini in 'Two Centuries of Australian Art', Thames and Hudson, Victoria, 2003, p.162 
Carroll, Alison, Sun Gazing: The Australia-Japan Art Exhibitions Touring program 2002-2004, The Asialink Centre, The University of Melbourne, 2004 
McAuliffe, Chris, and Harvey, Sue, see here now: Visard Foundation Art Collection of the 1990s, Thames and Hudson, Victoria, 2003, pp. 108-109 
Strickland, Katrina, Mother Love, The Weekend Australian, 2-4 May 2003, pp. 14-17 
Woodcock, Ben, Freak Show, State of the Arts, pp. 89-90 
Fitzgerald, Michael, Driving out Demons, Time (Pacific), 30-Jun-2003, pp. 62-64. 
Genocchio, Benjamin, Genetically Modified Sculpture, The Australian, 11-12 January 2003, Review p. 21 
Genocchio, Benjamin, Piccinini and friends carve out a name in Venice, The Australian, 14-15 June 2003, p. 3 
Gill, Raymond, Family Values, The Age, 13-Jun-2003, A3 p. 12 
Hill, Peter, The Artist & Her Offspring, The Sydney Morning Herald, 25-26 January 2003, Spectrum pp. 6-7 
Hutak, Michael, The Far-out Pavilion, The Bulletin, 24-Jun-2003, p. 75 
Ingram, Terry, Happy as a pig in Venice: Piccinini parties to celebrate success, The Australian Financial Review, 26-Jun-2003, p. 43 
Lethbridge, Brett, Beauty Beyond Bizarre, The Courier-Mail, 14-Jun-2003, p. 30 
Naylor, Stephen, Feeling the heat at the 50th Venice Biennale, Art Monthly Australia, no. 161, July 2003, pp. 34-39 
Nelson, Robert, 'Clever Technology, Serious Questions', The Age, 04-Jan-2003, Arts p. 17 
Rees, Simon, Patricia Piccinini at ACCA, Flash Art, May-June 2003, p. 84 
Turner, Jonathan, Alien Nation, ARTnews, vol. 102, no. 8, September 2003, p. 107 
Lindinger, Verlag and Schmid, Uncompromising Mindset, Kunst Jahr 2003, 2003, p. 26, 28 
Kent, Rachel (ed), Call of the Wild: Patricia Piccinini (exhibition catalogue), Museum of Contemporary Art, Sydney, 2002 
Engberg, Juliana, Patricia Piccinini in '(The world may be) fantastic' Ewen McDonald (ed.) (exhibition catalogue), Biennale of Sydney, 2002 
Rowell, Amanda, Autoerotic (exhibition catalogue), Roslyn Oxley9 Gallery, Sydney, 2002

2002 
Boilermag.it, We Are Animals, Arti Graphiche, 2002, inside front cover 
Engberg, Juliana, Retrospectology: The World According to Patricia Piccinini (exhibition catalogue), ACCA, Melbourne, 2002 
Smith, Jason, Sandman: Patricia Piccinini (exhibition catalogue), National Gallery of Victoria, Melbourne, 2002 
Barragan, Paco, Patricia Piccinini in 'El Arte Que Viene (The Art to Come)', Subastas Siglo, Madrid, 2002, p. 236 
Faulkner, Jane, Patricia in Wonderland, The Age, 27-Nov-2002, p. 13 
Foster, Alasdair, Patricia Piccinini in 'Blink: 100 photographers 010 curators 010 writers', London: Phaidon Press, 2002, pp. 300-304 
Greenstein, M. A., Arte o Baño del sol, Lapiz, no. 179/180, 2002, p. 136 
McLean, Sandra, When Push Becomes Shove, The Courier Mail, 27-Jul-2002, p. 2 
Michael, Linda, Love Me Love My Lump, The Diplomat, December 2002 - January 2003, pp. 45-46 
Millner, Jacqueline, Love in the Time of Intelligent Machines, Artlink, Vol 21 no 4, 2002, p. 42-47 
Palmer, Daniel, Patricia Piccinini, Frieze: Contemporary Art and Culture, Issue 65, 2002, p. 93-94 
Papastergiadis, Nikos, One Night Love, Object, no. 39, pp. 50-52 
Piccinini, Patricia, Life in the Media Landscape in 'Prefiguring Cyberculture: An Intellectual History', Power Publications, University of Sydney, 2002, p. 202-203_ 
Bennet, Oliver, The quality of Mersey: Liverpool Biennale/International 2002, The Observer, UK, 15-Sep-2000 
Green, Charles, Patricia Piccinini, Artforum, May-2002, p. 194 
Hill, Peter, Weird Science, The Sydney Morning Herald, 30 August-5 September 2002, Metro p. 26 
Hynes, Victoria, Driven, The Sydney Morning Herald, 24-30 May 2002 
McLean, Sandra, When Push Becomes Shove, The Courier Mail, 27-Jul-2002, p. 2 
Millner, Jacqueline, Storytelling, Eyeline, no. 49, Spring 2002, pp. 30-32 
Toffoletti, Kim, Patricia Piccinini; Lumps and Stem Cells, Eyeline, no. 50, Summer 2002/2003, p. 47 
Michael, Linda, One Night Love (exhibition catalogue), Tolarno Galleries, Melbourne 
Hennessey, Peter, Patricia Piccinini: Installations in 'What is Installation? An Anthology of Writings on Australian Installation Art', Power Publications, Sydney, 2001, p. 301 
Hutak, Michael, Perfect Planet, Professionally Reproduced, Australian Art Collector, Issue 18, October 2001, p. 65

2001 
McDonald, Helen, Erotic Ambiguities: The Female Nude in Art, Routledge, London, 2001, pp. 200-204 
Crawford, Ashley, Contemporary Australian Art, An Odd Creature from Down Under, Art and Australia ARCO insert, Vol 37, no. 2, 2001, p. 2 
Lancashire, Rebecca, Piccinini's Monsters, The Age, 26-May-2001, Extra p. 3 
McCulloch-Uehlin, Susan, Virtual Visions, The Australian, 27-Oct-2001, Arts p. 9 
Travis, Lara, Vivid Vehicles of Delight for Lovers of One Night, The Age, 27-Oct-2001, p. 22 
Webb, Caroline, Young Collectables, The Age, 26-May-2001, Today p. 1 
Engberg, Juliana, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000 
Colless, Edward, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000 
Yamagata, Hiroo, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000

2000 
Leggett, Mike, Patricia Piccinini, Photofile, no. 60, August 2000, p. 8-11 
Miki, Akiko, Very New Art 2000: 100 Artists, BT Art Magazine, vol. 52, no. 782, January 2000, p. 188-189 
Millner, Jacqueline, Afterword: Perspective on Perspecta in Martin Thomas (ed.) 'uncertain ground', Art Gallery of New South Wales, Sydney, 2000, p. 170 
Pennings, Mark, Enchantment, Technoscience and Desire, Art and Australia, vol. 37, no. 4, 2000, pp. 556-565 
Murphy, Bernice, Patricia Piccinini in Zeitgeössische Fotokunst Aus Australien, Braus im Wachter Verlag, Heidleberg, Germany, 2000, pp. 26-31 
Australia's 50 Most Collectable Artists, Australian Art Collector, Issue 11, January 2000, p. 84 
Genocchio, Benjamin, Reality Check via Plastic Bimbo, The Weekend Australian, 05-Aug-2000, Review p. 18 
Hoffman, Frank, Report from Kwangju: Monoculture and its Discontents, Art in America, Nov-2000, p. 74 
Hong-Hee, Kim, Kwangju Biennial, Flash Art, Summer 2000, p. 100 
James, Bruce, I'll have what she's having, The Sydney Morning Herald, 02-Feb-2000, Arts p. 12 
Scarff, Julian, Probe, Art Asia Pacific, Issue 27, 2000, pp. 28-30 
Engberg, Juliana, Essay in 'Signs of Life: Melbourne International Biennial' (exhibition catalogue), City of Melbourne, 1999 
Hatanaka, Minoru, Plasticology, InterCommunication, no. 29, Summer 1999, p. 189 
Stanhope, Zara, The Persistence of Pop (exhibition catalogue), Monash University Gallery, Melbourne, 1999

1999 
Sun-Hee, Kim, A Window Inside Outside (exhibition catalogue), Gwangju City Art Museum, Korea, 1999 
Williamson, Clare, Digitalis Australis, History of Photography, no. 2, vol. 23, Summer 1999, pp. 107-113 
Clabburn, Anna, Baby Trucks Dump on Mass Consumption, The Age, 17-Mar-1999, Arts p. 17 
Colless, Edward, Patricia Piccinini, Art + Text, no. 66, October 1999, p. 79-80 
Frost, Andrew, Australia' s 50 Most Collectable Artists, Australian Art Collector, no. 7, 1999, p. 50 
Sinclair, Jenny, Oh Baby, It's a Truck! , The Age, 16-Mar-1999, IT p. 2 
Taylor, Kerry, Artist's Infatuation with a Baby Beast, The Age, 15-Mar-1999, News p. 7 
Hennessey, Peter, Essay in 'Sacred and Profane' (exhibition catalogue), 1998 Adelaide Festival Visual Arts Program, 1998 
Sansom, Gareth, The Long and Winding Road in 'Up the Road: Contemporary Artists out of the Victorian College of the Arts', ACCA, Melbourne, 1998 
Geczy, Adam, Australian Perspecta, Eyeline, no. 35, Summer, 1998, p. 40

1998 
Riley, Vikki, Machine Translations & Other Digital Heresies, Photofile, no. 53, April 1998, pp. 58-61 
Pennings, Mark, Art = Advertising (exhibition catalogue), Robert Lindsay Gallery, Melbourne, 1997 
Hennessey, Peter, Plastic Realist in Blair French (ed.) 'Photo Files: An Australian Photography Reader', Power Institute and ACP, Sydney, 1999, pp. 247-254 
Burne, Philippa, Up the Garden Path, HQ Magazine, no. 54, Sept 1997, p. 23

1997 
Johnson, Anna, Young at Art, Good Weekend, April 26, 1997, p. 36 
Uemura, Hisashi, LUMP, Gap Magazine, October, 1997, pp. 105-107 
Maloney, Evan, Consuming Art, Art Monthly, no. 99, May 1997, p. 17 
Rooney, Robert, Arts on Friday: Art=Advertising, The Australian, 14-Mar-1997, p. 12 
Hennessey, Peter and Gregory, Chris, Patricia Piccinini: Your Time Starts Now... (exhibition brochure), Contemporary Art Centre of South Australia, 1996 
Schubert, Robert, Patricia Piccinini: Fetal Futures, Art + Text, no. 54, May 1996, pp. 33-35 
Clabburn, Anna, There's Something in Nothing Natural, Mesh, no. 8/9, Autumn 1996, pp. 27-28

1996 
Cooper, Jackie, Natural Born Artist, The Australian, 01-Dec-1996, p.36 
Hill, Peter, Cameras, Lies and Photographic Exhibits, The Bulletin, 17-Sep-1996, p. 100 
Honeysett, Stuart, Computer Art a Child of Invention, The Australian, 14-May-1996, p. 7 
McFarlane, Robert, Looking to the Future, The Sydney Morning Herald, 28-Aug-1996, p. 11 
Owen, Kristin and Simon Plant, Bubbly Prospects, Herald Sun, 09-Feb-1996, p. 33 
Pennings, Mark, Patricia Piccinini: Your Time Starts Now..., Eyeline, Summer 1996, p. 34 
Rooney, Robert, Melbourne Art, The Australian, 24-May-1996, p. 18 
Rooney, Robert, Möet & Chandon Touring Exhibition, The Australian, 23-Feb-1996, p. 13 
Stanhope, Zara, Mapping the Code: Artists Conceiving Data-bodies, Mesh, no. 8/9, Autumn 1996, pp. 16-17 
Kent, Rachel, Alternative Realities: Australian Artists Working with Technology (exhibition catalogue), Ian Potter Gallery, University of Melbourne, 1995 
Latham, Mary Ann, Inside Out: An Interview with Patricia Piccinini, Aedon, Dec-1995 
Stanhope, Zara, Technothelylogia: Technology of and by Women (exhibition catalogue), Monash University Gallery, Melbourne, 1995

1995 
Cookes, Thomas, Multimedia Spawns Art, The Age, 12-Jul-1995, p. 21 
Gibson, Tom, Patricia Piccinini, Art + Text, no. 50, January 1995, p. 66 
McKenzie, Robyn, Hi-Tech Art Flows into the Mainstream, The Age, 26-Jul-1995, p. 23 
Hennessey, Peter, Patricia Piccinini: Indivisibles (exhibition brochure), The Basement Project, Melbourne, 1994 
Gregory, Chris, Indivisibles, Eyeline, Spring 1994, pp. 42-43 
Marsh, Anne, City Theme Rules, Herald Sun, 17-May-1994, p. 47

1994 
Storey, Rohan, The City Screen, Monument, vol. 1 no. 2, 1994, p. 64 
Teffer, Nicola, Body with Organs, Photofile, no. 42, June 1994, pp. 6-7 
Barren, Sonia, Pushing the Limits of Acceptability, The Canberra Times, 17-Feb-1993, p. 25 
Hawker, Rosemary, Heretical Gestures at the Birth of Enlightenment, Eyeline, no. 15, 1991, pp. 16-20 
Jones, Mathew, The Body Dis-corporate: Patricia Piccinini, Agenda, no. 20/21, November 1991, p. 18

1993 
Thompson, Kerstin, Charles Williams Gallery, Transition, no. 36/37, Summer 1991, pp. 172-17

1991